How to name indistinguishable henchmen in a screenplay? Announcing the arrival of Valued...

Where did Ptolemy compare the Earth to the distance of fixed stars?

Why not use the yoke to control yaw, as well as pitch and roll?

Why can't fire hurt Daenerys but it did to Jon Snow in season 1?

The Nth Gryphon Number

Weaponising the Grasp-at-a-Distance spell

What does 丫 mean? 丫是什么意思?

Is the Mordenkainen's Sword spell underpowered?

Found this skink in my tomato plant bucket. Is he trapped? Or could he leave if he wanted?

3D Masyu - A Die

Is a copyright notice with a non-existent name be invalid?

My mentor says to set image to Fine instead of RAW — how is this different from JPG?

Marquee sign letters

In musical terms, what properties are varied by the human voice to produce different words / syllables?

How can I prevent/balance waiting and turtling as a response to cooldown mechanics

Is there a verb for listening stealthily?

How do Java 8 default methods hеlp with lambdas?

NIntegrate on a solution of a matrix ODE

As a dual citizen, my US passport will expire one day after traveling to the US. Will this work?

Was the pager message from Nick Fury to Captain Marvel unnecessary?

Russian equivalents of おしゃれは足元から (Every good outfit starts with the shoes)

Can two people see the same photon?

What criticisms of Wittgenstein's philosophy of language have been offered?

Why complex landing gears are used instead of simple, reliable and light weight muscle wire or shape memory alloys?

What is a more techy Technical Writer job title that isn't cutesy or confusing?



How to name indistinguishable henchmen in a screenplay?



Announcing the arrival of Valued Associate #679: Cesar Manara
Planned maintenance scheduled April 23, 2019 at 23:30 UTC (7:30pm US/Eastern)
Announcing our contest results!
Tags of the week! April 15-21, 2019: Planning & TranslationWords for Sounds in ScreenplayHow to sell a screenplay?Writing a phone call scene in a screenplayWhat’s the longest a screenplay can be at the midpoint?How to show a flashback in a screenplay?Screenplay vs NovelHow to write character's emotional reactions in a screenplay?Writing an interview in a screenplayHow to format a screenplay scene where the action alternates between 2 or more spots in an open space?How to format quick flashes in a screenplay?












3















A large group of indistinguishable henchman feature throughout my screenplay. What is an acceptable naming method for them?



Let's say I wanna call them 'Red shirts'. Can I ...



A) Call them all RED SHIRT, even though they are different characters?



B) Call them RED SHIRT #1, RED SHIRT #2, etc, even though by the end of the film I'll be up to a crazy number like RED SHIRT #36?



C) Give them all arbitrary descriptions such as TALL RED SHIRT, ANGRY RED SHIRT, etc, just to make them distinguishable?



D) Something else?










share|improve this question





























    3















    A large group of indistinguishable henchman feature throughout my screenplay. What is an acceptable naming method for them?



    Let's say I wanna call them 'Red shirts'. Can I ...



    A) Call them all RED SHIRT, even though they are different characters?



    B) Call them RED SHIRT #1, RED SHIRT #2, etc, even though by the end of the film I'll be up to a crazy number like RED SHIRT #36?



    C) Give them all arbitrary descriptions such as TALL RED SHIRT, ANGRY RED SHIRT, etc, just to make them distinguishable?



    D) Something else?










    share|improve this question



























      3












      3








      3








      A large group of indistinguishable henchman feature throughout my screenplay. What is an acceptable naming method for them?



      Let's say I wanna call them 'Red shirts'. Can I ...



      A) Call them all RED SHIRT, even though they are different characters?



      B) Call them RED SHIRT #1, RED SHIRT #2, etc, even though by the end of the film I'll be up to a crazy number like RED SHIRT #36?



      C) Give them all arbitrary descriptions such as TALL RED SHIRT, ANGRY RED SHIRT, etc, just to make them distinguishable?



      D) Something else?










      share|improve this question
















      A large group of indistinguishable henchman feature throughout my screenplay. What is an acceptable naming method for them?



      Let's say I wanna call them 'Red shirts'. Can I ...



      A) Call them all RED SHIRT, even though they are different characters?



      B) Call them RED SHIRT #1, RED SHIRT #2, etc, even though by the end of the film I'll be up to a crazy number like RED SHIRT #36?



      C) Give them all arbitrary descriptions such as TALL RED SHIRT, ANGRY RED SHIRT, etc, just to make them distinguishable?



      D) Something else?







      characters screenwriting naming scriptwriting






      share|improve this question















      share|improve this question













      share|improve this question




      share|improve this question








      edited 2 hours ago









      Cyn

      18.2k13985




      18.2k13985










      asked 3 hours ago









      Andy AAndy A

      1785




      1785






















          1 Answer
          1






          active

          oldest

          votes


















          2














          If they have lines or specific actions, it's important to give them all names. Why? Because each one will be played by a different actor. Each actor needs to know where s/he is at any given time, what s/he is saying and doing, and so forth.



          The director needs to know those things as well. The casting service needs to know the number of unique henchmen. Etc. Etc.



          If you look at the credits for actors in a movie, some of the character names will be "Woman in park" or "Lunch patron #3." That's fine. In general, people with a spoken line get a credit.



          Then there are extras. Extras do not have speaking lines but they're important to the film. You can name and describe extras as a group.



          Chances are you will have maybe 3-6 named characters who are henchmen and 30+ who are extras. It will be easier for casting if you consolidate the lines with just a handful of them (cheaper to pay extras).



          Figure out which henchmen are characters, name and describe them (if a description is necessary beyond the range for the general group, for example, the group is probably all adults). For the others, state how many need be in each scene they appear and what they are doing.




          • Henchman #1 (female, late 30's, tall and muscular)

          • Henchman #2 (male, mid 50's, short and wiry)

          • Henchman #3 (early 20's)






          share|improve this answer
























            Your Answer








            StackExchange.ready(function() {
            var channelOptions = {
            tags: "".split(" "),
            id: "166"
            };
            initTagRenderer("".split(" "), "".split(" "), channelOptions);

            StackExchange.using("externalEditor", function() {
            // Have to fire editor after snippets, if snippets enabled
            if (StackExchange.settings.snippets.snippetsEnabled) {
            StackExchange.using("snippets", function() {
            createEditor();
            });
            }
            else {
            createEditor();
            }
            });

            function createEditor() {
            StackExchange.prepareEditor({
            heartbeatType: 'answer',
            autoActivateHeartbeat: false,
            convertImagesToLinks: false,
            noModals: true,
            showLowRepImageUploadWarning: true,
            reputationToPostImages: null,
            bindNavPrevention: true,
            postfix: "",
            imageUploader: {
            brandingHtml: "Powered by u003ca class="icon-imgur-white" href="https://imgur.com/"u003eu003c/au003e",
            contentPolicyHtml: "User contributions licensed under u003ca href="https://creativecommons.org/licenses/by-sa/3.0/"u003ecc by-sa 3.0 with attribution requiredu003c/au003e u003ca href="https://stackoverflow.com/legal/content-policy"u003e(content policy)u003c/au003e",
            allowUrls: true
            },
            noCode: true, onDemand: true,
            discardSelector: ".discard-answer"
            ,immediatelyShowMarkdownHelp:true
            });


            }
            });














            draft saved

            draft discarded


















            StackExchange.ready(
            function () {
            StackExchange.openid.initPostLogin('.new-post-login', 'https%3a%2f%2fwriting.stackexchange.com%2fquestions%2f44706%2fhow-to-name-indistinguishable-henchmen-in-a-screenplay%23new-answer', 'question_page');
            }
            );

            Post as a guest















            Required, but never shown

























            1 Answer
            1






            active

            oldest

            votes








            1 Answer
            1






            active

            oldest

            votes









            active

            oldest

            votes






            active

            oldest

            votes









            2














            If they have lines or specific actions, it's important to give them all names. Why? Because each one will be played by a different actor. Each actor needs to know where s/he is at any given time, what s/he is saying and doing, and so forth.



            The director needs to know those things as well. The casting service needs to know the number of unique henchmen. Etc. Etc.



            If you look at the credits for actors in a movie, some of the character names will be "Woman in park" or "Lunch patron #3." That's fine. In general, people with a spoken line get a credit.



            Then there are extras. Extras do not have speaking lines but they're important to the film. You can name and describe extras as a group.



            Chances are you will have maybe 3-6 named characters who are henchmen and 30+ who are extras. It will be easier for casting if you consolidate the lines with just a handful of them (cheaper to pay extras).



            Figure out which henchmen are characters, name and describe them (if a description is necessary beyond the range for the general group, for example, the group is probably all adults). For the others, state how many need be in each scene they appear and what they are doing.




            • Henchman #1 (female, late 30's, tall and muscular)

            • Henchman #2 (male, mid 50's, short and wiry)

            • Henchman #3 (early 20's)






            share|improve this answer




























              2














              If they have lines or specific actions, it's important to give them all names. Why? Because each one will be played by a different actor. Each actor needs to know where s/he is at any given time, what s/he is saying and doing, and so forth.



              The director needs to know those things as well. The casting service needs to know the number of unique henchmen. Etc. Etc.



              If you look at the credits for actors in a movie, some of the character names will be "Woman in park" or "Lunch patron #3." That's fine. In general, people with a spoken line get a credit.



              Then there are extras. Extras do not have speaking lines but they're important to the film. You can name and describe extras as a group.



              Chances are you will have maybe 3-6 named characters who are henchmen and 30+ who are extras. It will be easier for casting if you consolidate the lines with just a handful of them (cheaper to pay extras).



              Figure out which henchmen are characters, name and describe them (if a description is necessary beyond the range for the general group, for example, the group is probably all adults). For the others, state how many need be in each scene they appear and what they are doing.




              • Henchman #1 (female, late 30's, tall and muscular)

              • Henchman #2 (male, mid 50's, short and wiry)

              • Henchman #3 (early 20's)






              share|improve this answer


























                2












                2








                2







                If they have lines or specific actions, it's important to give them all names. Why? Because each one will be played by a different actor. Each actor needs to know where s/he is at any given time, what s/he is saying and doing, and so forth.



                The director needs to know those things as well. The casting service needs to know the number of unique henchmen. Etc. Etc.



                If you look at the credits for actors in a movie, some of the character names will be "Woman in park" or "Lunch patron #3." That's fine. In general, people with a spoken line get a credit.



                Then there are extras. Extras do not have speaking lines but they're important to the film. You can name and describe extras as a group.



                Chances are you will have maybe 3-6 named characters who are henchmen and 30+ who are extras. It will be easier for casting if you consolidate the lines with just a handful of them (cheaper to pay extras).



                Figure out which henchmen are characters, name and describe them (if a description is necessary beyond the range for the general group, for example, the group is probably all adults). For the others, state how many need be in each scene they appear and what they are doing.




                • Henchman #1 (female, late 30's, tall and muscular)

                • Henchman #2 (male, mid 50's, short and wiry)

                • Henchman #3 (early 20's)






                share|improve this answer













                If they have lines or specific actions, it's important to give them all names. Why? Because each one will be played by a different actor. Each actor needs to know where s/he is at any given time, what s/he is saying and doing, and so forth.



                The director needs to know those things as well. The casting service needs to know the number of unique henchmen. Etc. Etc.



                If you look at the credits for actors in a movie, some of the character names will be "Woman in park" or "Lunch patron #3." That's fine. In general, people with a spoken line get a credit.



                Then there are extras. Extras do not have speaking lines but they're important to the film. You can name and describe extras as a group.



                Chances are you will have maybe 3-6 named characters who are henchmen and 30+ who are extras. It will be easier for casting if you consolidate the lines with just a handful of them (cheaper to pay extras).



                Figure out which henchmen are characters, name and describe them (if a description is necessary beyond the range for the general group, for example, the group is probably all adults). For the others, state how many need be in each scene they appear and what they are doing.




                • Henchman #1 (female, late 30's, tall and muscular)

                • Henchman #2 (male, mid 50's, short and wiry)

                • Henchman #3 (early 20's)







                share|improve this answer












                share|improve this answer



                share|improve this answer










                answered 2 hours ago









                CynCyn

                18.2k13985




                18.2k13985






























                    draft saved

                    draft discarded




















































                    Thanks for contributing an answer to Writing Stack Exchange!


                    • Please be sure to answer the question. Provide details and share your research!

                    But avoid



                    • Asking for help, clarification, or responding to other answers.

                    • Making statements based on opinion; back them up with references or personal experience.


                    To learn more, see our tips on writing great answers.




                    draft saved


                    draft discarded














                    StackExchange.ready(
                    function () {
                    StackExchange.openid.initPostLogin('.new-post-login', 'https%3a%2f%2fwriting.stackexchange.com%2fquestions%2f44706%2fhow-to-name-indistinguishable-henchmen-in-a-screenplay%23new-answer', 'question_page');
                    }
                    );

                    Post as a guest















                    Required, but never shown





















































                    Required, but never shown














                    Required, but never shown












                    Required, but never shown







                    Required, but never shown

































                    Required, but never shown














                    Required, but never shown












                    Required, but never shown







                    Required, but never shown







                    Popular posts from this blog

                    Paper upload error, “Upload failed: The top margin is 0.715 in on page 3, which is below the required...

                    Emraan Hashmi Filmografia | Linki zewnętrzne | Menu nawigacyjneGulshan GroverGulshan...

                    How can I write this formula?newline and italics added with leqWhy does widehat behave differently if I...